The gear used to record.
Console: Oram BEQ 8. First one made preproduction, originally owned by John Cale.

Recorders: Nuendo DAW w/ Apogee Rosetta 800 convertors. Tascam 38 1/2" analog 8 track. Separate workstation featuring Gigastudio Ensemble, Sony Acid, Sony Sound Forge. Ampex 601 1/4" mono.

Monitors: Yamaha NS10s, Advent Prodigys, Infitiy Near-field monitors

Mic Pre's: Oram console (24), Telefunken V72s racked by Marquette Audio (2), Klangfilm tube mic pres (2), Neve 1272s racked by Brent Averill (2), RCA BA-31A Germanium (2), Quad 8 CA-127s (2), Auditronics B110s (2), Yamaha PM1000 (2), Ampex 601 tube pre.

Dynamics: Manley ELOP, Shure Level-Loc, GE Unilevel VariMu Tube Limiter, Urei LA-4 (2), Aphex Compellor, Audion PS3010, RNC (2), Glensound BBC Stereo Compressor.

EQ: Telefunken W393 (2), Sphere 910 graphics (2), Oram 3 band w/ high pass (24), Auditronics B110 inductor 3 band (2), Yamaha PM1000 (2), Glensound BBC 3 band EQ (6).

Outboard: Binson Echorec EC-2, Roland Space Echo 555, Korg DRV 3000, Effectron Delay, Lexicon Vortex, Lexicon Jamman, DBX 120 Subharmonic Synthesizer, Nuendo and Sound Forge plug-ins, Reamp boxes w/ numerous guitar stompboxes.

Mics: Lomo 19A19, Coles 4038 (2), Oktava MC012 (2), Joly Mod Oktava 219, Sennheiser MD409, Echolette Top 12 (vintage AKG D12), AT Pro37 (2), Shure SM-7B, Shure SM-81, Shure SM-57, EV 666, Copperphone.

Guitars: '75 Gibson Les Paul Deluxe, '62 Epiphone Casino, '90 Benedicts Groovemaster, '94 Fender Aluminum Body Strat (National Type 2 Lily of the Valley engraving), Univox Special Edition, Eastwood EEB-1 Bass, '29 National Triolian, '47 Gibson J45, '32 Gibson HG22, '90 Larivee LC09, Ernie Ball Earthwood Acoustic Bass.

Amps; Fender Silverface Vibrolux Reverb, '62 Supro Super, Epiphone Epi Jr, Leslie Model 16, Smokey Marlboro Red.

Keyboards: Optigan (2), Native Instrument B4, Gigastudio w/ Mini Moog, Mellotron/Chamberlin/Arp, Optigan Samples. Steinberg The Grand/Halion String/Hypersonic/D'cota

Guitar Stompboxes (original issue unless noted): Moog FreqBox, Moog Analog Delay, Moog Murf, Electro-Harmonix (EH) Big Muff PI (3: Triangle Knob/Version 3/Sovtec Green), EH Polychorus, EH Attack Decay, EH Mike Matthews Soul Kiss, EH Memory Man, EH Y Triggered Filter, EH LBP-1, EH LBP-2, EH Electric Mistress, EH Golden Throat, EH Pog, Mu-tron Octave Divider, Fender Blender, Ibanez TS808, Ross Grey Compressor, MXR Script Dynacomp, Boss T-Wah, Boss Vibrato, Boss Flanger, Boss DD-20 Delay, Dan Armstrong Orange Squeezer, Dan Armstrong Green Ringer, Jordan Bosstone, ZVex Ringtone, ZVex Fuzz Probe, Maestro Stage Phaser, Roland Chorus Ensemble, Line6 Verbzilla, Alesis Bitrman, Phlngr, Faze, Philtre, Ampliton, Prescription Electronics Experience (early - featured on Garbage' debut), InterFax Harmonic Percolator, Univox Univibe, Charette Dirty Fücker, Mr. Sage Black Rocket, Catalinbread Semaphore, Catalinbread Teaser Stallion, Effector 13 Truly Beautiful Disaster, Digitech Whammy II, Korg PME-40X w/dist/comp/dig delay/analog delay/Octave V/Square Wave/Dist Wah/Flanger/Phase/Chorus, Vox Wah, CryBaby (3), Korg Mr Multi, DeArmand Pedal Phaser.

Drums: Ludwig Acrolite Snare, 60's Gretsch roundbadge drumkit: 22" kick, 16" floor tom, 13" rack tom, Ludwig Jr kit, misc percussion. Steinberg Groove Agent.